The German producer Hendrik Weber’s follow-up to This Bliss is big and dense with the kind of detail that rewards close attention. Weber is unlike most minimal techno producers in that he doesn’t look to locate one groove and ride it for the course of a track. His songs open up, unfurl, and regularly change course. With Black Noise he develops this to incorporate a wide range of sounds– field recordings, atonal noise, and stray percussion all populate the album. Each track is its own micro sound world with enough rich detail to draw you back for deeper investigation.